![]() ![]() The “First Challenge” scene is just fantastic eye and ear candy throughout. ![]() As she is moving around weightlessly inside the space station, there are little clanging and debris sounds inside the cluttered cabin, and when the fire breaks out, alarms blare through the overhead speakers punctuated with tense music until she hits her head and all audio ceases. As Stone enters the ISS, all sound focuses on her lack of oxygen and her breathing sounds, with the sub channel beating out a steady thump-thump heartbeat pulse. The most intense demos happen near the end of Ch. Gravity does an amazing job of taking advantage of the four discreet overhead speakers, which are frequently used independently to bounce, swirl, and shift the audio environment around the space of ceiling. As George Clooney slowly circles the shuttle in his rocket pack, Ed Harris’s voice from NASA control is mixed aggressively up to the ceiling speakers, giving a real “in your helmet” sense to the audio. The film opens with a big swell of music and what sounds like rocket engines firing before cutting to total silence as we orbit the earth. ![]()
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